Saint Louis University Menu Search

Jonathan Sawday, Ph.D.

Walter J. Ong, S.J., Chair in the Humanities


Education

Ph.D. in Renaissance Literature, University College London

Research Interests

Jonathan Sawday is a cultural historian. His research is focused on the intersection between science, technology, and literature particularly (but not exclusively) in the early-modern period. Currently, he is working on the idea of blanks or voids in literature, art, and culture. He is also working on an intellectual biography of Robert Burton (1577-1640), the inscrutable author of The Anatomy of Melancholy (1621), the first (and probably longest) psychoanalytic work published in English.  

Publications and Media Placements

He has written and published on the visual arts (including sixteenth-century French funerary sculpture, Rembrandt, and contemporary body art); autobiography in the sixteenth and seventeenth centuries; Renaissance and Restoration writing (Spenser, Milton, Descartes, Robert Burton, Hobbes, Shakespeare, Marvell, Rochester, and William Harvey); forgery; cyborgs and transhumanism; madness; 'race' and 'scientific racism' in the Edwardian period; the failure of technology.

His books include: Engines of the Imagination: Renaissance Culture and the Rise of the Machine (Routledge, 2007). (co-edited with Neil Rhodes) The Renaissance Computer: Knowledge Technology in the First Age of Print (Routledge, 2000).The Body Emblazoned: Dissection and the Human Body in Renaissance Culture (Routledge, 1995); (co-edited with Tom Healy) Literature and the English Civil War (Cambridge University Press, 1990).

As well as his academic work, he is a regular broadcaster on UK BBC Radio 4 and BBC Radio 3, contributing to arts, culture, and history programs.

Honors and Awards

Sawday has held awards and grants from the Fulbright Association, the British Academy, The British Council, and the UK Arts and Humanities Research Council.

Professional Organizations and Associations

Sawday is a Fellow of the English Association (FEA), the Royal Society for the Arts (FRSA), and of the Royal Historical Society (FRHistS). He is on the advisory board of the Journal for Literature and Science and on the editorial boards of Medical Humanities and Writing Technologies.