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COURSES TAUGHT AT SLU

Upper Courses developed

Graduate Seminars

Écrivains de la mémoire: Assouline, Quignard, Ernaux, Modiano, Marie Nimier, Jean Rouaud
Music in 20th-Century French Literature & Film
French Cinema 1895-1968
French Cinema II - The 1980s & 1990s
The Prose Literature of Québec
Introduction to Literary Criticism
Women Writers in France and Québec

Upper-Level Undergraduate Courses
History of European Cinema
Harlem to Paris: Jazz, Literature and Film (team-taught)
Perceiving Others: The U.S. & France - a study of cultural differences
Qualifies for the Cultural Diversity Requirement
Women Writers in France and Québec – Honors         
Cross-listed with Women Studies, qualifies for the Cultural Diversity Requirement
French Play: Huis clos & La Leçon – Analysis and Live Performance
French Cinema II - The 1980s & 1990s
French Cinema 1895-1968      
Courses Revised:
20th-Century French Prose
20th-Century French Drama

Language & Culture Courses:
All levels (Oral Proficiency II – Honors;Written Proficiency II – Honors; Oral Proficiency I – Honors; Oral Proficiency I - SLU2000 Freshman Seminar “France 1939-1945”; French Language and Culture, Intermediate  (200 level); Basic Structures II ; Basic Structures I (Honors) ; French Civilization and Culture in Translation; Masterpieces of 20th-Century French Literature in Translation)

Courses in Preparation

Seminar on Pascal Quignard
The Experience of War in French & Spanish Literatures (team-taught)
                                                                             
Selected Directed Projects
Honors: “La Victoire du bien: La Passion de Jeanne d’Arc de Carl Theodor Dreyer”, Fall 2008
Masters Final Projects
“Flaubert et Chabrol: Madame Bovary, un roman plus visuel qu’un film”, Fall 2007
“La Voix féminine et masculine dans le cinéma contemporain : Diva, Hiroshima mon amour, Tous les matins du monde, Sans toit ni loi”, Summer 2002
“Marguerite Duras et Pascal Quignard : La musique dans tous ses états”, Fall 2001
“Rechercher et retrouver le temps perdu : temps et mémoire chez Proust”, Fall 2000
“Evolution et permanence chez Truffaut, Godard et Demy”, Spring 1997
“Transtextualité et intertextualité bibliques dans Les Fous de Bassan d’Anne Hébert “Fall 1996
“Réécriture chez Marguerite Duras: Un barrage contre le Pacifique et L’Amant, Spring 1996
“Actualités télévisées: un outil pour développer la compétence authentique”, 1994

 

 

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