- MOCRA Past Exhibitions
- All Past Exhibitions
- Transformations-Visible Conservation
- Bernard Maisner: The Hourglass and the Spiral
- Erika Diettes: Sudarios
- Georges Rouault: Miserere et Guerre
- Salma Arastu: Painting Prayers
- Regina DeLuise: Vast Bhutan
- Rebecca Niederlander: Axis Mundi
- Thresholds: Part Two
- Thresholds: Part One
- Jordan Eagles: BLOOD / SPIRIT
- Patrick Graham: Thirty Years
- A Tribute to Frederick J. Brown
- Archie Granot: The Papercut Haggadah
- Adrian Kellard: The Learned Art of Compassion
- James Rosen: The Artist and the Capable Observer
- Good Friday: The Suffering Christ in Contemporary Art
- Michael Byron: Cosmic Tears
- MOCRA at Fifteen: Good Friday
- MOCRA at Fifteen: Pursuit of the Spirit
- Miao Xiaochun: The Last Judgment in Cyberspace
- The Celluloid Bible
- Oskar Fischinger: Movement and Spirit
- Gorky: The Early Years, 1927-1937
- DoDo Jin Ming: Land and Sea
- Junko Chodos: The Breath of Consciousness
- Daniel Ramirez: Twenty Contemplations on the Infant Jesus
- Radiant Forms in Contemporary Sacred Architecture
- Rito, Espejo y Ojo / Ritual, Mirror and Eye
- Tobi Kahn: Avoda
- Tony Hooker: The Greater Good
- Andy Warhol: Silver Clouds
- Robert Farber: A Retrospective, 1985-1995
- Lewis deSoto: Paranirvana
- Bernard Maisner: Entrance to the Scriptorium
- MOCRA: The First Five Years
- Tobi Kahn: Metamorphoses
- Manfred Stumpf: Enter Jerusalem
- Utopia Body Paint: Australian Aboriginal Art
- Steven Heilmer: Pietre Sante | Holy Stones
- Edward Boccia: Eye of the Painter
- Frederick J. Brown: The Life of Christ Altarpiece
- Eleanor Dickinson: A Retrospective
- Ian Friend: The Edge of Belief
- Keith Haring: Altarpiece: The Life of Christ
- Consecrations: The Spiritual in Art in the Time of AIDS
- Post-Minimalism and the Spiritual
- Body and Soul: Alvin Ailey
- Sanctuaries: Recovering the Holy in Contemporary Art
MOCRA exhibitions: The Papercut Haggadah
The stories and rituals of the Jewish festival of Passover, presented in the traditional medium of papercutting.
February 26 - May 20, 2012
The Jewish Experience and the Haggadah
General Exhibition Information
Archie Granot. Page 32 from The Papercut Haggadah, 1998 - 2007.
A living tradition
Haggadah (הַגָּדָה) is Hebrew for "telling," namely, the telling of the Exodus story at the Seder service during the Jewish festival of Pesach, or Passover. The term also signifies a book that contains the ritual guide to the Seder, along with scripture passages, commentary, prayers, and songs. For centuries the Haggadah has been one of the most celebrated items of Jewish literature and art, and there are many examples of both handwritten and printed Haggadot with intricate illustrations. In each generation artists continue the tradition of reinterpreting the Haggadah for contemporary believers.
Commissioned by Sandra and Max Thurm, Archie Granot's Papercut Haggadah was handcrafted using the Jewish folk art tradition of papercutting. The result is a series of 55 pages that employ intricate geometric and abstract shapes and calligraphic text to create an exquisite version of the Haggadah.
Granot evokes the intense emotions attached with the Passover Seder by utilizing geometric and abstract shapes instead of the usual symbols. Every word of Hebrew text in his Haggadah is handcut, with each page standing as both an independent work of art and a single piece of a beautiful, thematically unified whole. Each page of his multi-layered paper pieces (some nearly an inch thick) tackles a certain aspect or song associated with the Seder, such as "Ma Nishtanah" (מה נשתנה , The Four Questions), or "Pesach, Matzah, Maror" (פֶּסַח, The Passover Offering; מצה, the Unleavened Bread; and מרור, the Bitter Herb), which incorporates shapes that evoke the traditional matzah.
Archie Granot. Page 46 from The Papercut Haggadah, 1998 - 2007.
Archie Granot. Page 39 from The Papercut Haggadah, 1998 - 2007.
About the artist
Archie Granot was born in London in 1946 and moved to Israel in 1967. Prior to settling in Jerusalem in 1978, he was a member of an agricultural community where he milked cows and grew melons. He earned a M.Phil. in Russian Studies from the University of Glasgow, Scotland and a B.A. in Political Science and Russian Studies from the Hebrew University, Jerusalem. Granot started papercutting in 1979, and currently has his own studio and gallery in Jerusalem. Many of his papercuts carry a reminder of the Holy City, a source of his inspiration, and he often employs texts that relate to Israel, Judaism, and Judaica. Granot has had solo exhibitions in the United States, Israel, and Germany, and has participated in group exhibitions in France and Japan. Granot's works are found in public collections in Israel, Germany, England, and the United States, as well as numerous private collections.
Archie Granot. Page 53 from The Papercut Haggadah, 1998 - 2007.
Archie Granot. Page 48 from The Papercut Haggadah, 1998 - 2007.
Archie Granot. Page 20 from The Papercut Haggadah, 1998 - 2007.