- MOCRA Past Exhibitions
- Thresholds: Part Two
- Thresholds: Part One
- Jordan Eagles: BLOOD / SPIRIT
- Patrick Graham: Thirty Years
- A Tribute to Frederick J. Brown
- Archie Granot: The Papercut Haggadah
- Adrian Kellard: The Learned Art of Compassion
- James Rosen: The Artist and the Capable Observer
- Good Friday: The Suffering Christ in Contemporary Art
- Michael Byron: Cosmic Tears
- MOCRA at Fifteen: Good Friday
- MOCRA at Fifteen: Pursuit of the Spirit
- Miao Xiaochun: The Last Judgment in Cyberspace
- The Celluloid Bible
- Oskar Fischinger: Movement and Spirit
- Gorky: The Early Years, 1927-1937
- DoDo Jin Ming: Land and Sea
- Junko Chodos: The Breath of Consciousness
- Daniel Ramirez: Twenty Contemplations on the Infant Jesus
- Radiant Forms in Contemporary Sacred Architecture
- Rito, Espejo y Ojo / Ritual, Mirror and Eye
- Tobi Kahn: Avoda
- Tony Hooker: The Greater Good
- Andy Warhol: Silver Clouds
- Robert Farber: A Retrospective, 1985-1995
- Lewis deSoto: Paranirvana
- Bernard Maisner: Entrance to the Scriptorium
- MOCRA: The First Five Years
- Tobi Kahn: Metamorphoses
- Manfred Stumpf: Enter Jerusalem
- Utopia Body Paint: Australian Aboriginal Art
- Steven Heilmer: Pietre Sante | Holy Stones
- Edward Boccia: Eye of the Painter
- Frederick J. Brown: The Life of Christ Altarpiece
- Eleanor Dickinson: A Retrospective
- Ian Friend: The Edge of Belief
- Keith Haring: Altarpiece: The Life of Christ
- Consecrations: The Spiritual in Art in the Time of AIDS
- Post-Minimalism and the Spiritual
- Georges Rouault: Miserere et Guerre
- Body and Soul: Alvin Ailey
- Sanctuaries: Recovering the Holy in Contemporary Art
MOCRA exhibitions: Movement and Spirit
An exhibition of paintings and drawings by a pioneering German abstract painter and filmmaker whose genius was recognized by many of the 20th century’s great luminaries in art, film and music.
|March 31 - June 24, 2007|
exhibition extended through July 1, 2007
|Opening Weekend Events|
Friday, March 30, 2007, 7 p.m.
An Oskar Fischinger Tribute
screening of films by Fischinger and lecture by exhibition curator Peter Frank
NOTE: This event will be held at the Saint Louis Art Museum auditorium.
Click here for more information.
Saturday, March 31, 2007, 2 - 4 p.m.
Opening reception at MOCRA
free public opening reception
|Download an informational brochure with sample images.|
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|General Exhibition Information|
Hours: Tues - Sun, 11 am - 4 pm
Admission: free, with suggested donation of $5/adults, $1/students and children
Directions and Parking information
Group visit information
Space Abstraction No. III, 1966.
Oskar Fischinger (1900–67) was a significant figure in the early days of filmmaking, attracting attention for his technological innovations, imaginative animation techniques, and the sheer bravura of his non-objective films, many of them keyed to classical music in a way that sought to expand dimensions in both visual and auditory experience—that is, visual music. Exhibition curator Peter Frank notes that Fischinger "insisted on an indelible sensory relationship between color and form on the one hand and sound and motion on the other. It was music for the eyes."
Fischinger’s approach to abstraction in his films and paintings bears comparison to Kandinsky, Kupka, and other early abstractionists. Fischinger’s artistic work was also a spiritual pursuit consistent with his interest in Theosophy, Buddhism, and Anthroposophy. Pressure from the Nazi regime forced Fischinger to flee to Hollywood in 1936, where he worked on the fringes of the commercial movie industry but continued to earn the appreciation of filmmakers and aficionados even after his death.
Recently his work has been increasingly included in American museum exhibitions, including the blockbuster 2005 group exhibition Visual Music, held at the Museum of Contemporary Art in Los Angeles and the Hirshhorn Museum in Washington, D.C. MOCRA is pleased to host the first exhibition of Fischinger’s work in St. Louis, a city with significant ties to modern and contemporary German art.
|The MOCRA exhibition will feature paintings and drawings by Fischinger. It also celebrates the newly released DVD Oskar Fischinger: Ten Films. The DVD includes many of Fischinger's great film projects, including Motion Painting No. 1 (1947), which features dazzling animated patterns coordinated to Bach’s Brandenburg Concerto No. 3 and received the Grand Prix at the Brussels Film Festival in 1949.|
Movement and Spirit is part of MOCRA: Sources, an occasional series of exhibitions presenting those seminal artists who have influenced the development of modern and contemporary art, and whose impact is seen in the artists of our time who engage the religious and spiritual dimensions in their work.
MOCRA thanks Jack Rutberg Fine Arts, Inc., Los Angeles, Barbara Fischinger, The Elfriede Fischinger Trust, and the Center for Visual Music. MOCRA also thanks the Saint Louis Art Museum for assistance in the Oskar Fischinger Tribute evening.
MOCRA is grateful for financial support from the Regional Arts Commission.
Outward Movement, 1948. Oil on