Past Exhibitions
Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click “View” for more information about an exhibition. If you need further information about an exhibition, please contact us.

This Road Is the Heart Opening: Selections from the MOCRA Collection
August 24, 2022 to December 18, 2022
About the Exhibition
The COVID-19 pandemic has illuminated harmful systemic inequities and our responsibility to name and respond to them. Simultaneously, we are recognizing the importance of attending to our own well-being in mind, body, and spirit, a holistic vision of human wellness that Ignatian spirituality refers to as “cura personalis.” Examples at Saint Louis University include the annual Occupy SLU observances and robust wellness initiatives for the whole campus community
Alongside This Road Is the Heart Opening, MOCRA features two recent bodies of work that may offer insight into these trends. Lesley Dill: Dream World of the Forest features three new collage-paintings that employ Dill’s acclaimed fracturing of poetic language and evocative imagery. The disrupted texts disorient us, but with sustained attention and contemplation, text and image cohere into deeper understandings.
In the works in Jordan Eagles: VIRAL\VALUE, the 2017 auction sale of a purported Leonardo da Vinci painting prompts a consideration of the value systems of art, religion, and healthcare. Whose lives, experiences, and stories are acknowledged and valued, in what contexts, and by whom?
The remainder of the work on display is drawn from the MOCRA collection. The title This Road Is the Heart Opening, is drawn from a poem by 16th-century Hindu mystic poet Mirabai, translated by Robert Bly.* The metaphor of life as a journey is an ancient one. Amid so much that afflicts and overwhelms us, it is tempting to step away from the path of life and wall ourselves off for self-protection. Echoing themes found in the work of Dill and Eagles, these artworks suggest the value of journeying on, open to others and to the world, and to our deepest selves. Some works join text and image, suggest dreamlike landscapes, and encourage us to take time to savor. Other works acknowledge the reality of suffering, confront distorted and unjust systems, and call us to action.
Artists with work in This Road Is the Heart Opening include:
Craig Antrim | Salma Arastu | Romare Bearden | Dawoud Bey | Frederick J. Brown | Maria Magdalena Campos-Pons | Jon Cournoyer | Sue Eisler | Nancy Fried | Donald Grant | Steven Heilmer | DoDo Jin Ming | Andy Julo | Tobi Kahn | Adrian Kellard | Dean Kessmann | Tom Kiefer | Frank LaPena | Horatio Law | Gary Logan | Bernard Maisner | Anne Minich | Jim Morphesis | Lorna Purvis | David Quinn | Vicki Reid | James Rosen | Christopher Schulte | Susan Schwalb | Thomas Skomski | Kazuaki Tanahashi | Michael Tracy
These works may by turns unsettle and comfort, challenge and inspire. We invite you to discover the ones that speak to you at this moment in your journey.
* “Midnight Tears,” in Mirabai: Versions by Robert Bly. Penland, NC: Squid, Ink, 1993.
above:
Bernard Maisner, “Yes” (detail), 2000. Oil, ink, mulberry paper, and damar on canvas. MOCRA collection, a gift of Helen Du Bois in honor of Peter Du Bois.
| Exhibition |
|---|
Bernard Maisner: The Hourglass and the Spiral |
Georges Rouault: Miserere et Guerre |
Erika Diettes: Sudarios |
Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
Painting Prayers: The Calligraphic Art of Salma Arastu |
Thresholds: MOCRA at 20 – Part Two, The Second Decade |
Rebecca Niederlander: Axis Mundi |
Jordan Eagles: BLOOD / SPIRIT |
Thresholds: MOCRA at 20 – Part One, The First Decade |
Archie Granot: The Papercut Haggadah |
A Tribute to Frederick J. Brown |
Patrick Graham: Thirty Years – The Silence Becomes the Painting |
Adrian Kellard: The Learned Art of Compassion |
Good Friday: The Suffering Christ in Contemporary Art |
James Rosen: The Artist and the Capable Observer |
MOCRA at Fifteen: Good Friday |
Michael Byron: Cosmic Tears |
Miao Xiaochun: The Last Judgment in Cyberspace |
MOCRA at Fifteen: Pursuit of the Spirit |
Oskar Fischinger: Movement and Spirit |
The Celluloid Bible: Marketing Films Inspired by Scripture |
Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
Andy Warhol: Silver Clouds |
Junko Chodos: The Breath of Consciousness |
DoDo Jin Ming: Land and Sea |
Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, María Magdalena Campos-Pons, and Pablo Soria |
Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
Tony Hooker: The Greater Good – An Artist’s Contemporary View of the Tuskegee Syphilis Study |
Andy Warhol: Silver Clouds, an encore presentation |
Andy Warhol’s Silver Clouds: A Fortieth Anniversary Celebration |
Lewis deSoto: Paranirvana |
Robert Farber: A Retrospective, 1985–1995 |
Bernard Maisner: Entrance to the Scriptorium |
Tobi Kahn: Metamorphoses |
MOCRA: The First Five Years |
Steven Heilmer: Pietre Sante | Holy Stones |
Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
Manfred Stumpf: Enter Jerusalem |
Frederick J. Brown: The Life of Christ Altarpiece |
Edward Boccia: Eye of the Painter |
Consecrations Revisited |
Keith Haring: Altarpiece – The Life of Christ |
Ian Friend: The Edge of Belief – paintings, sculpture, and works on paper, 1980–1994 |
Eleanor Dickinson: A Retrospective |
Post-Minimalism and the Spiritual: Four Chicago Artists |
Consecrations: The Spiritual in Art in the Time of AIDS |
Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
Body and Soul: The Alvin Ailey American Dance Theater |
Transformations: Highlights from the MOCRA Collection |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Visible Conservation |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection: The Romero Cross |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
MOCRA: 25 |
Gary Logan: Elements |
Gratitude |
Surface to Source |
Quiet Isn’t Always Peace |
Tom Kiefer: Pertenencias / Belongings |
Double Vision: Art from Jesuit University Collections |
Lesley Dill: Dream World of the Forest |
Jordan Eagles: VIRAL\VALUE |
This Road Is the Heart Opening: Selections from the MOCRA Collection |
Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
Open Hands: Crafting the Spiritual |
Selections from the MOCRA Collection |
Continuum: Figuration and Abstraction in the MOCRA Collection |
Continuum (Continued): Figuration and Abstraction in the MOCRA Collection |
Selections from the MOCRA Collection |