Past Exhibitions
Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click “View” for more information about an exhibition. If you need further information about an exhibition, please contact us.

Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos
March 19, 2023 to June 25, 2023
Engaging a Living Tradition
Artists Vicente Telles and Brandon Maldonado are forging new links in the chain of the continuing story of the people of New Mexico. Telles is firmly rooted in the Santero tradition (the making of santos, or images of saints), while Maldonado describes his work as being heavily inspired by New Mexican folk art. Yet they see their work converging on the critical question: What can and should Santero art be now? This question is explored in a MOCRA exhibition that introduces the work of Telles and Maldonado to St. Louis audiences
The practice of making and venerating santos originated in Spain and was carried to territories under Spanish colonial rule. New Mexican santeros (makers of santos) developed distinctive approaches that diverged from the models they found in imported oil paintings, statues and devotional prints. The Santero tradition flourished from the mid-18th to late-19th centuries before falling into a period of decline. It recovered, however, and thrives today, responding to the needs of both religious devotees and art aficionados.
Santos continue to be essential to the devotional practices of families and communities, but they are also appreciated as art objects. Telles and Maldonado recognize the classic santeros as artists with agency who made adaptive choices in response to complex social concerns and matters of faith for their communities. Telles and Maldonado similarly approach the interwoven threads of contemporary New Mexican culture as informed, thoughtful practitioners. What aesthetic value does Santero art offer to the wider art world today? How can it be released from the confines of a religious folk form and redeemed from commodification? Not content with reiterating the past, Telles and Maldonado passionately engage a living tradition to tell stories for our times.
About the Artists
Vicente Telles
Vicente Telles (b. 1983) is a santero and cultural iconographer driven by the desire to honor the culture and traditions of his native New Mexico. Telles began painting traditional retablos using handmade pigments and gesso, but his style has evolved to include experimentation with different mediums such as textiles, hand-pulled papers and found and repurposed materials. His more contemporary pieces, including his social commentary retablos and ongoing border culture series, feature reinterpretations of traditional Catholic and cultural iconography. To Telles, whose work can be found in private and public collections both in the U.S. and abroad, his artistry is about far more than painting; it means “being a teacher, a student and an observer of tradition and maker of the contemporary.” His santos and contemporary pieces transcend religion, allowing Telles to do his part to keep his heritage and centuries of tradition alive and vibrant.
Brandon Maldonado
Brandon Maldonado (b. 1980) was raised in Albuquerque, New Mexico, where he grew up on the graffiti art of his barrio surroundings. He rejected the academically painted Southwestern landscapes that seemed a far cry from the graffiti-filled streets of his personal reality. However, the culturally rich environment of New Mexico made a lasting impact on his work, which often explores themes associated with Mexican culture. The history and culture of the land fascinate him, as well as its living and historical ties to the story of Mexico and its mestizo legacy. Though primarily a self-taught artist, Maldonado holds a Bachelor of Arts in Humanities with an emphasis on philosophy and religion from the College of Santa Fe, and fittingly, he sees his art as a means to expressing ideas. Maldonado is perhaps best known for his Dia de los Muertos-themed images, which he has explored and evolved for more than two decades. His image Our Lady of Merciful Fate was featured on the cover of the Zac Brown Band’s 2012 Grammy-winning album Uncaged.
above:
From left: Brandon Maldonado, La Boda Nuevo Mexicana (The New Mexican Wedding), 2023. Courtesy of the artist. Vicente Telles, San Sebastián (St. Sebastian), 2022; Ahí Viene Vicente (Here Comes Vicente), 2022. Images courtesy of the artist.
| Exhibition |
|---|
Bernard Maisner: The Hourglass and the Spiral |
Georges Rouault: Miserere et Guerre |
Erika Diettes: Sudarios |
Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
Painting Prayers: The Calligraphic Art of Salma Arastu |
Thresholds: MOCRA at 20 – Part Two, The Second Decade |
Rebecca Niederlander: Axis Mundi |
Jordan Eagles: BLOOD / SPIRIT |
Thresholds: MOCRA at 20 – Part One, The First Decade |
Archie Granot: The Papercut Haggadah |
A Tribute to Frederick J. Brown |
Patrick Graham: Thirty Years – The Silence Becomes the Painting |
Adrian Kellard: The Learned Art of Compassion |
Good Friday: The Suffering Christ in Contemporary Art |
James Rosen: The Artist and the Capable Observer |
MOCRA at Fifteen: Good Friday |
Michael Byron: Cosmic Tears |
Miao Xiaochun: The Last Judgment in Cyberspace |
MOCRA at Fifteen: Pursuit of the Spirit |
Oskar Fischinger: Movement and Spirit |
The Celluloid Bible: Marketing Films Inspired by Scripture |
Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
Andy Warhol: Silver Clouds |
Junko Chodos: The Breath of Consciousness |
DoDo Jin Ming: Land and Sea |
Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, María Magdalena Campos-Pons, and Pablo Soria |
Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
Tony Hooker: The Greater Good – An Artist’s Contemporary View of the Tuskegee Syphilis Study |
Andy Warhol: Silver Clouds, an encore presentation |
Andy Warhol’s Silver Clouds: A Fortieth Anniversary Celebration |
Lewis deSoto: Paranirvana |
Robert Farber: A Retrospective, 1985–1995 |
Bernard Maisner: Entrance to the Scriptorium |
Tobi Kahn: Metamorphoses |
MOCRA: The First Five Years |
Steven Heilmer: Pietre Sante | Holy Stones |
Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
Manfred Stumpf: Enter Jerusalem |
Frederick J. Brown: The Life of Christ Altarpiece |
Edward Boccia: Eye of the Painter |
Consecrations Revisited |
Keith Haring: Altarpiece – The Life of Christ |
Ian Friend: The Edge of Belief – Paintings, Sculpture, and Works on Paper, 1980–1994 |
Eleanor Dickinson: A Retrospective |
Post-Minimalism and the Spiritual: Four Chicago Artists |
Consecrations: The Spiritual in Art in the Time of AIDS |
Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
Body and Soul: The Alvin Ailey American Dance Theater |
Transformations: Highlights from the MOCRA Collection |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Visible Conservation |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection: The Romero Cross |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
MOCRA: 25 |
Gary Logan: Elements |
Gratitude |
Surface to Source |
Quiet Isn’t Always Peace |
Tom Kiefer: Pertenencias / Belongings |
Double Vision: Art from Jesuit University Collections |
Lesley Dill: Dream World of the Forest |
Jordan Eagles: VIRAL\VALUE |
This Road Is the Heart Opening: Selections from the MOCRA Collection |
Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
Open Hands: Crafting the Spiritual |
Selections from the MOCRA Collection |
Continuum: Figuration and Abstraction in the MOCRA Collection |
Continuum (Continued): Figuration and Abstraction in the MOCRA Collection |
Selections from the MOCRA Collection |