Past Exhibitions
Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click “View” for more information about an exhibition. If you need further information about an exhibition, please contact us.

Selections from the MOCRA Collection
September 6, 2023 to December 17, 2023
About the Exhibition
Enjoy a look at some of the most popular works in the MOCRA collection, along with recent acquisitions and lesser known gems.
In particular, we pay tribute to the late James Rosen (1933–2023). In a career spanning more than six decades, Rosen demonstrated a keen understanding of art history, mastery of form, and an ability to imbue canvases with mystery. Rosen’s interests were wide-ranging, with subjects including portraits, landscapes, and architecture, and media including painting, watercolor, ink, and prints. Three of the works on display employ Rosen’s distinctive oil and wax/oil emulsion painting technique. He explained,
Most of my paintings require 50 or 60 “veils” or layers. I begin usually with . . . the brightest colors, and then they are advanced toward a quality of light which is established by one veil going over another. In between, certain colors are lifted, that is pulled out from beneath and lifted on top of that layer. Then another layer or veil goes down until all colors, all strokes, all paint, reaches one quality of light, and when it reaches that, I consider the painting complete.
Rosen had a deep affinity for the art of the Renaissance and painted homages to his favorite artists, including three great Madonnas as homages to images by Italian painters Giotto, Coppo and Guido da Siena, and works based on the 15th-century painting Pietá d’Avignon. Rosen’s layered veils of wax and oil mute the colors and details of the source paintings to focus contemplation on the mystery and reality of suffering, grief, and love.
Rosen produced prodigious numbers of drawings, many of them studies and sketches, others fully realized. Rosen’s love of light and shadow, harmony and balance, and form led him to explore and create work based on the historic architecture of Ferrara, Italy, notably the Certosa, a former Cistercian monastery built in the 15th century. He was also captivated by an altarpiece in an overlooked monastery chapel. He sketched and later painted homages on that work by an unknown artist.
Rosen was an avid correspondent, and his missives often featured drawings, collage, and exquisite penmanship. In one letter he wrote:
No tricks, no cleverness, no enhancers.
Drawing is the measure
Drawing measures the eye
Drawing clears the mind
Drawing breaks the lock of projections formed by what one has known
and established by what one has done
Artists with work on display include:
Craig Antrim | Salma Arastu | Dawoud Bey | Gryphon Blackswan | Frederick J. Brown | Junko Chodos | Michael David | Regina DeLuise | Doug DePice | Jordan Eagles | Donald Grant | Laurie Gross | DoDo Jin Ming | Carolyn Jones | Tobi Kahn | Adrian Kellard | Tom Kiefer | Robert Kostka | Frank LaPena | Gary Logan | Chris McCaw | Jim Morphesis | Dan Ramirez | James Rosen | Christopher Schulte | Susan Schwalb | Thomas Skomski | Vicente Telles | Michael Tracy | Pablita Velarde | Zao Wou-Ki
above:
Christopher Schulte, Lead Me, 2008. Etched and hammered copper relief on board. MOCRA collection.
Exhibition |
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![]() Bernard Maisner: The Hourglass and the Spiral |
![]() Georges Rouault: Miserere et Guerre |
![]() Erika Diettes: Sudarios |
![]() Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
![]() Painting Prayers: The Calligraphic Art of Salma Arastu |
![]() Thresholds: MOCRA at 20 – Part Two, The Second Decade |
![]() Rebecca Niederlander: Axis Mundi |
![]() Jordan Eagles: BLOOD / SPIRIT |
![]() Thresholds: MOCRA at 20 – Part One, The First Decade |
![]() Archie Granot: The Papercut Haggadah |
![]() A Tribute to Frederick J. Brown |
![]() Patrick Graham: Thirty Years – The Silence Becomes the Painting |
![]() Adrian Kellard: The Learned Art of Compassion |
![]() Good Friday: The Suffering Christ in Contemporary Art |
![]() James Rosen: The Artist and the Capable Observer |
![]() MOCRA at Fifteen: Good Friday |
![]() Michael Byron: Cosmic Tears |
![]() Miao Xiaochun: The Last Judgment in Cyberspace |
![]() MOCRA at Fifteen: Pursuit of the Spirit |
![]() Oskar Fischinger: Movement and Spirit |
![]() The Celluloid Bible: Marketing Films Inspired by Scripture |
![]() Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
![]() Andy Warhol: Silver Clouds |
![]() Junko Chodos: The Breath of Consciousness |
![]() DoDo Jin Ming: Land and Sea |
![]() Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, María Magdalena Campos-Pons, and Pablo Soria |
![]() Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
![]() Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
![]() Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
![]() Tony Hooker: The Greater Good – An Artist’s Contemporary View of the Tuskegee Syphilis Study |
![]() Andy Warhol: Silver Clouds, an encore presentation |
![]() Andy Warhol’s Silver Clouds: A Fortieth Anniversary Celebration |
![]() Lewis deSoto: Paranirvana |
![]() Robert Farber: A Retrospective, 1985–1995 |
![]() Bernard Maisner: Entrance to the Scriptorium |
![]() Tobi Kahn: Metamorphoses |
![]() MOCRA: The First Five Years |
![]() Steven Heilmer: Pietre Sante | Holy Stones |
![]() Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
![]() Manfred Stumpf: Enter Jerusalem |
![]() Frederick J. Brown: The Life of Christ Altarpiece |
![]() Edward Boccia: Eye of the Painter |
![]() Consecrations Revisited |
![]() Keith Haring: Altarpiece – The Life of Christ |
![]() Ian Friend: The Edge of Belief – paintings, sculpture, and works on paper, 1980–1994 |
![]() Eleanor Dickinson: A Retrospective |
![]() Post-Minimalism and the Spiritual: Four Chicago Artists |
![]() Consecrations: The Spiritual in Art in the Time of AIDS |
![]() Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
![]() Body and Soul: The Alvin Ailey American Dance Theater |
![]() Transformations: Highlights from the MOCRA Collection |
![]() Georges Rouault: Miserere et Guerre |
![]() Georges Rouault: Miserere et Guerre |
![]() Georges Rouault: Miserere et Guerre |
![]() Georges Rouault: Miserere et Guerre |
![]() Visible Conservation |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection: The Romero Cross |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
![]() Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
![]() MOCRA: 25 |
![]() Gary Logan: Elements |
![]() Gratitude |
![]() Surface to Source |
![]() Quiet Isn’t Always Peace |
![]() Tom Kiefer: Pertenencias / Belongings |
![]() Double Vision: Art from Jesuit University Collections |
![]() Lesley Dill: Dream World of the Forest |
![]() Jordan Eagles: VIRAL\VALUE |
![]() This Road Is the Heart Opening: Selections from the MOCRA Collection |
![]() Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
![]() Open Hands: Crafting the Spiritual |
![]() Selections from the MOCRA Collection |
![]() Continuum: Figuration and Abstraction in the MOCRA Collection |
![]() Continuum (Continued): Figuration and Abstraction in the MOCRA Collection |
![]() Selections from the MOCRA Collection |