Past Exhibitions
Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click “View” for more information about an exhibition. If you need further information about an exhibition, please contact us.

Thresholds: MOCRA at 20 – Part Two, The Second Decade
February 16, 2014 to August 1, 2014
About the Exhibition
MOCRA celebrated a milestone anniversary with a two-part exhibition surveying works by artists displayed during MOCRA’s first twenty years. Part Two of Thresholds: MOCRA at 20 embraced the variety of artistic expressions exhibited throughout MOCRA’s history and included works by thirty-six artists from MOCRA's first decade.
Terrence E. Dempsey, S.J., Founding Director of MOCRA, noted that the title of the exhibition points to a variety of meanings. “For many of the artists, their work explores the boundary, sometimes distinct, sometimes porous, between mundane experience and the transcendent. In turn, the artists invite viewers to share in that passage. A threshold is also a point of meeting, the doorway where we pass into another’s experience or way of life. It represents hospitality but also risk. As an interfaith venture, MOCRA seeks to bring both artists and viewers to the threshold of other people’s experiences, to encounter unfamiliar traditions and to share our own.”
Thresholds also marks a point of transition for MOCRA. Fr. Dempsey describes it “an opportunity, twenty years into the journey, to take stock of where we have been and to prognosticate a bit about where we might be going.”
Artists in the exhibition include:
Peter Ambrose | Romare Bearden | Lore Bert | Nick Boskovich | Sr. Helen David Brancato | Michael Byron | Maria Magdalena Campos-Pons | Junko Chodos | Bill Christman | Douglas DePice | Jordan Eagles | Oskar Fischinger | Luis González Palma | Arshile Gorky | Patrick Graham | Archie Granot | Steven Holl | DoDo Jin Ming | Alan Karchmer | Adrian Kellard | Dean Kessmann | Paul Kos | Horatio Hung-Yan Law | Thomas Lanigan-Schmidt | Charlotte Lichtblau | Chris McCaw | Richard Meier | Jeffrey Miller | Jim Morphesis | Virgil Myers | Gary Passanise | Daniel Ramirez | James Rosen | Thomas Skomski | Michael Tracy | Paul Warchol
I was not aware of the moment when I first crossed the threshold of this life. What was the power that made me open out into this vast mystery like a bud in the forest at midnight? | Rabindranath Tagore, Gitanjali
above:
Installation view of Thresholds: MOCRA at 20 – Part Two, The Second Decade at MOCRA, 2014. Photo by Jeffrey Vaughn.
Read a St. Louis Beacon interview with MOCRA Director Terrence Dempsey, S.J.
In 2013, MOCRA was honored as “Best Museum” in the Riverfront Times “Best of St. Louis” awards. Here’s what they said:
The Museum of Contemporary Religious Art, which focuses on the myriad ways religious impulses shape art production, consistently has organized some of the most nuanced and revelatory exhibitions in St. Louis since opening in 1991. As the country's only museum to engage this otherwise untouchable subject by the adamantly atheistic contemporary art world, MOCRA has maintained an expansive and progressive perspective on its mission, presenting a widely ecumenical sense of religiosity as well as an incisive aesthetic currency. This year's unsettlingly trenchant exhibition by Jordan Eagles, BLOOD/SPIRIT, used the eponymous organic material (sources from slaughterhouses) to form layered, luminous works that, at their nearest, resembled Gothic stained glass. Previous exhibitions have featured Andy Warhol’s Silver Clouds, Keith Haring’s Altarpiece, an astonishing survey of the underserved artist Adrian Kellard and paintings by Michael Byron, among many others. Overseen by Father Terrence Dempsey, the curatorial vision for this space is unfailingly daring and experimental, involving programming that varies from reflections on ritual and the AIDS epidemic to post-minimalism and notions of the sacred. From video and sculpture to painting and printmaking, the work on view in this space always succeeds in challenging one's assumptions about spirituality and faith, and reasserts the relevance of such content.
Exhibition |
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![]() Bernard Maisner: The Hourglass and the Spiral |
![]() Georges Rouault: Miserere et Guerre |
![]() Erika Diettes: Sudarios |
![]() Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
![]() Painting Prayers: The Calligraphic Art of Salma Arastu |
![]() Thresholds: MOCRA at 20 – Part Two, The Second Decade |
![]() Rebecca Niederlander: Axis Mundi |
![]() Jordan Eagles: BLOOD / SPIRIT |
![]() Thresholds: MOCRA at 20 – Part One, The First Decade |
![]() Archie Granot: The Papercut Haggadah |
![]() A Tribute to Frederick J. Brown |
![]() Patrick Graham: Thirty Years – The Silence Becomes the Painting |
![]() Adrian Kellard: The Learned Art of Compassion |
![]() Good Friday: The Suffering Christ in Contemporary Art |
![]() James Rosen: The Artist and the Capable Observer |
![]() MOCRA at Fifteen: Good Friday |
![]() Michael Byron: Cosmic Tears |
![]() Miao Xiaochun: The Last Judgment in Cyberspace |
![]() MOCRA at Fifteen: Pursuit of the Spirit |
![]() Oskar Fischinger: Movement and Spirit |
![]() The Celluloid Bible: Marketing Films Inspired by Scripture |
![]() Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
![]() Andy Warhol: Silver Clouds |
![]() Junko Chodos: The Breath of Consciousness |
![]() DoDo Jin Ming: Land and Sea |
![]() Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, María Magdalena Campos-Pons, and Pablo Soria |
![]() Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
![]() Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
![]() Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
![]() Tony Hooker: The Greater Good – An Artist’s Contemporary View of the Tuskegee Syphilis Study |
![]() Andy Warhol: Silver Clouds, an encore presentation |
![]() Andy Warhol’s Silver Clouds: A Fortieth Anniversary Celebration |
![]() Lewis deSoto: Paranirvana |
![]() Robert Farber: A Retrospective, 1985–1995 |
![]() Bernard Maisner: Entrance to the Scriptorium |
![]() Tobi Kahn: Metamorphoses |
![]() MOCRA: The First Five Years |
![]() Steven Heilmer: Pietre Sante | Holy Stones |
![]() Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
![]() Manfred Stumpf: Enter Jerusalem |
![]() Frederick J. Brown: The Life of Christ Altarpiece |
![]() Edward Boccia: Eye of the Painter |
![]() Consecrations Revisited |
![]() Keith Haring: Altarpiece – The Life of Christ |
![]() Ian Friend: The Edge of Belief – paintings, sculpture, and works on paper, 1980–1994 |
![]() Eleanor Dickinson: A Retrospective |
![]() Post-Minimalism and the Spiritual: Four Chicago Artists |
![]() Consecrations: The Spiritual in Art in the Time of AIDS |
![]() Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
![]() Body and Soul: The Alvin Ailey American Dance Theater |
![]() Transformations: Highlights from the MOCRA Collection |
![]() Georges Rouault: Miserere et Guerre |
![]() Georges Rouault: Miserere et Guerre |
![]() Georges Rouault: Miserere et Guerre |
![]() Georges Rouault: Miserere et Guerre |
![]() Visible Conservation |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection: The Romero Cross |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Highlights from the MOCRA Collection |
![]() Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
![]() Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
![]() MOCRA: 25 |
![]() Gary Logan: Elements |
![]() Gratitude |
![]() Surface to Source |
![]() Quiet Isn’t Always Peace |
![]() Tom Kiefer: Pertenencias / Belongings |
![]() Double Vision: Art from Jesuit University Collections |
![]() Lesley Dill: Dream World of the Forest |
![]() Jordan Eagles: VIRAL\VALUE |
![]() This Road Is the Heart Opening: Selections from the MOCRA Collection |
![]() Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
![]() Open Hands: Crafting the Spiritual |
![]() Selections from the MOCRA Collection |
![]() Continuum: Figuration and Abstraction in the MOCRA Collection |
![]() Continuum (Continued): Figuration and Abstraction in the MOCRA Collection |
![]() Selections from the MOCRA Collection |