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Beyond Words: Three Contemporary Artists and the Manuscript Tradition
May 24, 2018 to November 12, 2018
MOCRA, in collaboration with the Special Collections division of the Saint Louis University Libraries, presents an exhibition in the Lambert Gallery at St. Louis Lambert International Airport as part of the Lambert Art and Culture Program. Beyond Words highlights the work of three outstanding contemporary artists — Salma Arastu, Archie Granot and Bernard Maisner — who bring together text and image in their work, and locates them in the context of the grand tradition of manuscript illumination.
The life journey of Salma Arastu has taken her from India to the Bay Area and from Hinduism to Islam. Arastu freely interprets classical Arabic calligraphy and manuscript illumination techniques in her work. The 2015 MOCRA exhibition Painting Prayers: The Calligraphic Art of Salma Arastu, included a number of large tapestry-like paintings on canvas that illuminate passages from the Qur'an, as well as works juxtaposing sacred texts from a variety of traditions. Examples of these works will be included in Beyond Words.
Israeli artist Archie Granot was commissioned to execute a Haggadah (the book containing the texts of the Passover Seder meal), employing his unique approach to the venerable art of papercutting. Made up of over 50 individual works, each with a unique design, The Papercut Haggadah was displayed at MOCRA in 2012. Beyond Words includes examples of pages from The Papercut Haggadah, along with other commissioned papercut works.
Bernard Maisner is considered one of today's foremost calligraphers and an expert practitioner of the techniques of medieval manuscript illumination. He was the subject of two MOCRA exhibitions, Entrance to the Scriptorium in 1998-99, and The Hourglass and the Spiral in 2017. Maisner's capacity for inventive compositions and his wide-ranging selections of texts (from Heraclitus to William Blake to Henry Miller to Soren Kierkegaard to Patti Smith) astound and delight viewers. Examples of Maisner's manuscripts and paintings will be included in Beyond Words.
Beyond Words brings together the work of these three artists with the long tradition of illuminated manuscripts – handwritten books richly decorated and illustrated with paints, inks, and gold and silver leaf. The exhibition will give an introduction to the techniques of making parchment from animal skins, assembling books by hand, and writing and illuminating the texts. Examples of lavishly illuminated historic manuscripts will be compared with the works of Arastu, Granot, and Maisner, showing how these contemporary artists have been influenced by and extend the manuscript tradition. In particular, five facsimiles (highly detailed reproductions) of famous illuminated manuscripts, including the Book of Kells and the Rothschild Miscellany, will be displayed.
While Beyond Words focuses primarily on the aesthetic and historical dimensions of these works, an interfaith dimension is present as well. The historical examples will include manuscripts from the Jewish, Christian and Muslim traditions, including a discussion of the development of Arabic calligraphy and its connection to Islam. Both Arastu and Granot create works that express their faith traditions, while Maisner explores a wide swath of spiritual and philosophical perspectives.
Beyond Words will provide an opportunity for viewers to make connections to their own experiences of faith and spirituality, and to reflect on the challenges facing all of us as we learn to appreciate the diversity of beliefs and cultures that are found across the globe and in our region.
Beyond Words is made possible with the generous financial support of the Regional Arts Commission and the Saint Louis University Bicentennial Committee.
above:
Installation view of Beyond Words at Lambert Gallery, St. Louis Lambert International Airport, 2018. Photo by Kevin Lowder.
So That You Know Each Other: Intercultural Reflections on Art, Beauty, and Islam
MOCRA Voices, Episode 4: Archie Granot
Stephen P. Durchslag: The Jewish Experience and the Haggadah
“The Hand Acts Out a Joyous Dance”: Celebrating the Art of Bernard Maisner
Exhibition |
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Bernard Maisner: The Hourglass and the Spiral |
Georges Rouault: Miserere et Guerre |
Erika Diettes: Sudarios |
Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
Calligraphic Art of Salma Arastu |
Thresholds: MOCRA at 20 - Part Two, The Second Decade |
Rebecca Niederlander: Axis Mundi |
Jordan Eagles: BLOOD / SPIRIT |
Thresholds: MOCRA at 20 - Part One, The First Decade |
Archie Granot: The Papercut Haggadah |
A Tribute to Frederick J. Brown |
Patrick Graham: Thirty Years – The Silence Becomes the Painting |
Adrian Kellard: The Learned Art of Compassion |
Good Friday: The Suffering Christ in Contemporary Art |
James Rosen: The Artist and the Capable Observer |
MOCRA at Fifteen: Good Friday |
Michael Byron: Cosmic Tears |
Miao Xiaochun: The Last Judgment in Cyberspace |
MOCRA at Fifteen: Pursuit of the Spirit |
Oskar Fischinger: Movement and Spirit |
The Celluloid Bible: Marketing Films Inspired by Scripture |
Arshile Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
Andy Warhol: Silver Clouds |
Junko Chodos: The Breath of Consciousness |
DoDo Jin Ming: Land and Sea |
Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, Maria Magdalena Campos-Pons, and Pablo Soria |
Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
Tony Hooker: The Greater Good – An Artist's Contemporary View of the Tuskegee Syphilis Study |
Andy Warhol: Silver Clouds, an encore presentation |
Andy Warhol's Silver Clouds: A Fortieth Anniversary Celebration |
Lewis deSoto: Paranirvana |
Robert Farber: A Retrospective, 1985–1995 |
Bernard Maisner: Entrance to the Scriptorium |
Tobi Kahn: Metamorphoses |
MOCRA: The First Five Years |
Steven Heilmer: Pietre Sante | Holy Stones |
Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
Manfred Stumpf: Enter Jerusalem |
Frederick J. Brown: The Life of Christ Altarpiece |
Edward Boccia: Eye of the Painter |
Consecrations Revisited |
Keith Haring: Altarpiece – The Life of Christ |
Ian Friend: The Edge of Belief – paintings, sculpture, and works on paper, 1980–1994 |
Eleanor Dickinson: A Retrospective |
Post-Minimalism and the Spiritual: Four Chicago Artists |
Consecrations: The Spiritual in Art in the Time of AIDS |
Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
Body and Soul: The Alvin Ailey American Dance Theater |
Transformations: Highlights from the MOCRA Collection |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Visible Conservation |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection: The Romero Cross |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
MOCRA: 25 |
Gary Logan: Elements |
Gratitude |
Surface to Source |
Quiet Isn't Always Peace |
Tom Kiefer: Pertenencias / Belongings |
Double Vision: Art from Jesuit University Collections |
Lesley Dill: Dream World of the Forest |
Jordan Eagles: VIRAL\VALUE |
This Road Is the Heart Opening: Selections from the MOCRA Collection |
Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
Open Hands: Crafting the Spiritual |
Selections from the MOCRA Collection |