M.C. Escher: Infinite Variations
May 2, 2019- September 22, 2019
M.C. Escher: Infinite Variations examines the mind-bending, mathematical, and metamorphic works of world-famous Dutch graphic artist Maurits Cornelis Escher. This exhibit features an extensive collection of drawings, mezzotints, lithographs, and woodcuts, which blend and blur constructs inspired by impossible worlds, the intricacies of nature, and the infinity of chess.
Over 100 pieces, on loan from the Herakleidon Museum in Athens, Greece, showcase Escher’s varied and groundbreaking techniques and subjects from his early Italian landscape sketches, self-portraits, and book illustrations to his iconic images of impossible spaces, tessellations, infinity, and his metamorphosis series. Despite his massive fame in popular culture, Escher never fit into one style of art nor was he recognized as an important artist by the art community during most of his lifetime.
However, he was venerated by the mathematics community and the American counterculture of the 1960s, who viewed him as a pioneer of psychedelic art. In an almost six-decade career, Escher created over 450 prints and over 2000 drawings and sketches. To this day, he remains one of the most popular and most reproduced graphic artists of the 20th century. His captivating illusionistic spaces, staircases that lead to nowhere, and his endless reflections are so recognizable though most viewing them do not realize the decades of studies he labored over to create these seemingly playful scenes. It is an honor to present M.C. Escher’s work in this satellite exhibition of the World Chess Hall of Fame’s show M.C. Escher: Infinite Variations. We hope that viewers will get lost in the endless spaces that he has created.
M.C. Escher: Infinite Variations is curated by Shannon Bailey, Chief Curator, World Chess Hall of Fame, with Emily Allred, Associate Curator, World Chess Hall of Fame.
The Civil War Imagined and Real
September 28, 2018 – extended to May 31, 2020
Pius XII Memorial Library, Second Floor Saint Louis University 3650 Lindell Blvd, Saint Louis, MO 63108
Timothy and Jeanne Drone’s recent gift of prints and artifacts serves as the inspiration for The Civil War Imagined and Real. Their continued support inspires the imagination and enhances the learning of SLU students in a variety of disciplines. The exhibition The Civil War Imagined and Real, which will open on September 28, 2018 (6p.m. – 8p.m), will offer a great opportunity for multidisciplinary engagement. Activities such as lectures, tours, community partnerships, and interactive media projects related to the exhibition create opportunities for students of all ages to expand their knowledge.
The exhibition includes prints by Kurz & Allison, Currier & Ives, and others, which offer a wide range of images that captured the public’s imagination. In addition, images from the Library of Congress and artifacts from SLU Medical Library illustrate the forgotten legacy the war had on medical advancements and public health. The images from the Library of Congress also illustrate technological advancements, such as aerial reconnaissance, the telegraph, long range weapons, the Minie bullet, the Gatling Gun, ironclad warships, submarines, and torpedoes. The exhibition also features gifts of Civil War rifles and an ammunition box from James and Carolyn Drone.
In addition to the prints in the The Civil War Imagined and Real exhibition, Timothy and Jeanne Drone gifted artworks by notable regional artists, such as George Caleb Bingham, Thomas Hart Benton, Joe Jones, Karl Bodmer, George Catlin, and many Mississippian and Native American artifacts.
Einar Hákonarson: The Auschwitz Etchings
Over the course of a 40-year career, Einar Hákonarson (b. 1945) has become one of Iceland’s most distinguished artists, with 30 exhibitions in multiple countries. He was educated at the Iceland Academy of the Arts (Iceland’s national art school) and the Valand School of Fine Arts of the University of Gothenburg in Sweden. Primarily a painter, he has also won numerous awards for his work in printmaking, and he reignited interest in the medium of printmaking in Iceland. In 1965, as a student at the University of Gothenburg in Sweden, he made a life- changing trip to Auschwitz. Reflecting on that experience, the artist stated that, “this visit [to Auschwitz] influenced me tremendously. I simply was not the same as before.”
While a large portion of his work since the Auschwitz visit has dealt with human suffering, Hákonarson made a series of six etchings between 1965 and 1967 that specifically referenced his reflections on Auschwitz. He dedicated the six etchings to the victims of the Holocaust as well as to all victims of hatred, bigotry, and injustice. Although intimate in scale, the etchings explore the spirit of the human person to persevere and triumph even in the midst of atrocities on such an epic scale. The etchings remain witnesses to humanity’s dark side, but they are also expressions of hope, that in the face of such evil, the vigilant human spirit can still triumph and prevail.
We invite you to spend time with these works, to read the artist’s own reflections on the themes in each of the prints, and to see that, in light of the many contemporary global trouble spots, the message of the Auschwitz Etchings is timelier than ever.