Plastic: The Future Then... and Now
September 6, 2019- December 29, 2019
The Saint Louis University Museum of Art is pleased to announce the opening of a new exhibition, Plastic: The Future Then…And Now. The exhibition opens with a reception at the museum on September 6, 2019 from 5-8 p.m. and will remain open until December 29, 2019. The exhibition includes an overview of the role plastic plays in today’s society, including the continuous developments in information technology, manufacturing, civil engineering, and the medical field. It features examples by Charles and Ray Eames, Verner Panton, Ettore Sottsass, Joe Cesare Colombo, Luigi Colani, Giotto Stoppino, Carlo Bartoli, and others.
Plastic features a comprehensive look at the history of plastic and its many uses and consequences. It spans from natural plastics, early plastics such as Bakelite and Bandalasta, the eruption of plastics in the 1960s and 70s, and advances in manufacturing and technology of the 2000s to today. The exhibition also covers the consequences of plastic on our environment.
The Civil War Imagined and Real
September 28, 2018 – extended to May 31, 2020
Pius XII Memorial Library, Second Floor Saint Louis University 3650 Lindell Blvd, Saint Louis, MO 63108
Timothy and Jeanne Drone’s recent gift of prints and artifacts serves as the inspiration for The Civil War Imagined and Real. Their continued support inspires the imagination and enhances the learning of SLU students in a variety of disciplines. The exhibition The Civil War Imagined and Real, which will open on September 28, 2018 (6p.m. – 8p.m), will offer a great opportunity for multidisciplinary engagement. Activities such as lectures, tours, community partnerships, and interactive media projects related to the exhibition create opportunities for students of all ages to expand their knowledge.
The exhibition includes prints by Kurz & Allison, Currier & Ives, and others, which offer a wide range of images that captured the public’s imagination. In addition, images from the Library of Congress and artifacts from SLU Medical Library illustrate the forgotten legacy the war had on medical advancements and public health. The images from the Library of Congress also illustrate technological advancements, such as aerial reconnaissance, the telegraph, long range weapons, the Minie bullet, the Gatling Gun, ironclad warships, submarines, and torpedoes. The exhibition also features gifts of Civil War rifles and an ammunition box from James and Carolyn Drone.
In addition to the prints in the The Civil War Imagined and Real exhibition, Timothy and Jeanne Drone gifted artworks by notable regional artists, such as George Caleb Bingham, Thomas Hart Benton, Joe Jones, Karl Bodmer, George Catlin, and many Mississippian and Native American artifacts.
Einar Hákonarson: The Auschwitz Etchings
Over the course of a 40-year career, Einar Hákonarson (b. 1945) has become one of Iceland’s most distinguished artists, with 30 exhibitions in multiple countries. He was educated at the Iceland Academy of the Arts (Iceland’s national art school) and the Valand School of Fine Arts of the University of Gothenburg in Sweden. Primarily a painter, he has also won numerous awards for his work in printmaking, and he reignited interest in the medium of printmaking in Iceland. In 1965, as a student at the University of Gothenburg in Sweden, he made a life- changing trip to Auschwitz. Reflecting on that experience, the artist stated that, “this visit [to Auschwitz] influenced me tremendously. I simply was not the same as before.”
While a large portion of his work since the Auschwitz visit has dealt with human suffering, Hákonarson made a series of six etchings between 1965 and 1967 that specifically referenced his reflections on Auschwitz. He dedicated the six etchings to the victims of the Holocaust as well as to all victims of hatred, bigotry, and injustice. Although intimate in scale, the etchings explore the spirit of the human person to persevere and triumph even in the midst of atrocities on such an epic scale. The etchings remain witnesses to humanity’s dark side, but they are also expressions of hope, that in the face of such evil, the vigilant human spirit can still triumph and prevail.
We invite you to spend time with these works, to read the artist’s own reflections on the themes in each of the prints, and to see that, in light of the many contemporary global trouble spots, the message of the Auschwitz Etchings is timelier than ever.