Method to Her Madness
Susan Moser suspected she had an actress on her hands when her 10-year-old daughter,
Alicen, was the only child in the Muny Kids chorus who stayed in character during
the entire performance of Joseph and the Amazing Technicolor Dreamcoat.
Moser’s suspicions were confirmed two years later when Alicen covered for the adult
lead who had forgotten her lines during a community college production of Wait Until
“Alicen kept her cool and it blew me away,” she said. “I knew then that this was her
talent, this was her love.”
Classic Mash Up
Flash forward a decade. Alicen Moser (A&S ’16) continues to impress her mother and
audiences with her stage presence.
The St. Louis native majored in theater and English at SLU and is co-founder of the
experimental theater company, Poor Monsters. Productions are comedic mash-ups of Shakespeare’s
plays and contemporary, experimental or improvisational works. The productions highlight
the experiences of women and gender minorities.
“I love being inspired by the classics and fitting them into modern structures and
art forms,” she said.
Moser co-founded the company with two other SLU grads, Katy Keating, (A&S ’15) and
Kristin Rion (A&S ’14). For the last two years, Poor Monsters has been invited to
the St. Lou Fringe Festival, a week of eclectic, experimental performing arts pieces
in Grand Center.
Moser also has been cast in several plays produced by other local theater companies.
Though she feels her strength is comedy, she often is cast in dramatic roles, including
her current role as a vicious teen “FAT,” a play that explores body image ideals.
Moser began acting in the third grade. Her first performance was a bit part in Miracle
on 34th Street. The stage it turned out, was the one place the formally shy child
felt at home.
“The stage was where I could confidently interact with the world,” Moser said. “I
had a script, and I had my blocking, so I always knew I was doing and saying the right
things. I figured as long as I knew my lines I was great. I was confident.”
When not on stage, Moser is the engagement manager for Metro Theater Company, a professional
troupe that offers live performances and educational workshops for young audiences.
Moser coordinates performances, helps schools acquire grants to bring shows to their
students and assists with fundraising efforts. Moser’s goal on stage and off is to
make theater as inclusive as possible.
“I think theater should be affordable and accessible to all, regardless of race, class,
religion, gender or sexual orientation,” she said.
Connecting with the Audience
Moser credits SLU for providing her with experiences that helped her learn what it
takes to be a professional actor. In addition to her campus production performances,
a professor helped Moser land a part in The Foreigner at The Repertory Theatre of
St. Louis during her freshman year. Another professor helped her get a job backstage
at the St. Louis Shakespeare Festival.
“The professors don’t just teach, they’re involved in theater,” she said. “They are
artists themselves, and their connections were invaluable. I feel I was better prepared
for the real world of acting than peers who attended school elsewhere.”
As for the future, Moser hopes to become a member of “The Second City,” the famous
improvisational theater troupe based in Chicago – and training ground for her role
model, Tina Fey.