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“The Hand Acts Out a Joyous Dance”: Celebrating the Art of Bernard Maisner
April 20, 2017
A master calligrapher and manuscript illuminator, artist Bernard Maisner brings together materials and design in unexpected ways. From tiny illuminated manuscripts to large-scale paintings reminiscent of ancient mosaics, he achieves a vibrant compositional and scribal expression rooted in the past but conveyed with a fresh contemporary visual vocabulary.
For this program, Maisner will reflect on his work, discussing his sources, techniques, and inspirations. He will be joined by Susan L’Engle, a noted scholar of medieval manuscripts, and Ken Botnick, a highly regarded printer, publisher and book maker. MOCRA Director Terrence Dempsey, SJ, will moderate the conversation. We also welcome special guest Helen Du Bois. Together with her late husband, Peter, she has been a major collector of Maisner's work. Six large-scale Maisner paintings, donated by Helen in honor of Peter, form the centerpiece of MOCRA's exhibition Bernard Maisner: The Hourglass and the Spiral.
Participants:
Bernard Maisner (b.1954) is regarded internationally as one of the greatest contemporary masters of calligraphy. Maisner first became familiar with illuminated manuscripts during his studies at The Cooper Union in New York. He went on to teach Medieval and Renaissance manuscript illumination methods and techniques and was a guest lecturer and researcher at such prominent institutions as the Bibliotheque Nationale in Paris, the Cloisters Museum of the Metropolitan Museum of Art, the Getty Museum in Malibu, California, and the Morgan Library and Museum. His work is represented in some of this country's most prestigious private and public collections, including the Morgan Library and Museum and the Philadelphia Museum of Art. More recently Maisner has made a foray into social calligraphy, creating elaborately embellished styles of writing for clients including Oprah Winfrey, Alicia Keys, and Sir Elton John. He is also on-call for Hollywood; his hands have played Johnny Depp in Sleepy Hollow, Daniel Day Lewis in Age of Innocence and Sean Connery in Finding Forrester.
Ken Botnick has been designing, printing and publishing books for over 35 years, in limited editions published by his own presses, and for leading publishers such as Yale University Press and Princeton Architectural Press. The archive of his co-proprietorship, Red Ozier Press, is part of the permanent collection of The New York Public Library. Under the imprint emdash, Botnick continues production of artists books in St Louis. His work is found in collections around the world, including the Library of Congress, The Getty Center for Humanities, the Boston Athenaeum, The Bodleian Library, The Newberry Library, The National Library of the Netherlands in the Hague, the Yale Arts of the Book Collection, libraries at Smith, Harvard, Wellesley and notable private collections. His book, "Kamini, selections from the Gitagovinda", published in Sanskrit and English, was selected by the American Institute of Graphic Arts for its “50 Books/50 Covers, 2007” annual juried show, and his 2015 publication, Diderot Project, was selected as the winner of the Minnesota Center for the Book Arts International Biennial Prize. Botnick was the recipient of a Fulbright Fellowship in 2006 to support his residency at the National Institute of Design in Ahmedabad, India. He is Professor of Art at Washington University in St Louis where he directs the Kranzberg Book Studio and teaches courses in publication design.
Susan L’Engle (Ph.D. Art History, Institute of Fine Arts, New York University) is an art historian and manuscript scholar, specializing in the codicology and illumination of medieval manuscripts of canon and Roman law. She is currently working on a book that focuses on pedagogical methods in the study of Roman law as evidenced by pictographic reader annotations in their textbooks. Recent publications include articles in Viator, Wolfenbatteler Mittelalter-Studien, and Caritas im Schatten von Sankt Peter, Der Liber Regulae des Hospitals Santo Spirito in Sassia: Eine Prachthandschrift des 14. Jahrhunderts. Based in the Vatican Film Library at Saint Louis University, she co-edits the journal Manuscripta; publishes a quarterly newsletter called "Manuscripts on My Mind"; plans and organizes the annual Saint Louis Conference on Manuscript Studies, and teaches classes on codicology and manuscript illumination to a variety of student groups.
above, from left:
Terrence Dempsey, S.J., Ken Botnick, Susan L’Engle, and Bernard Maisner.
Watch “The Hand Acts Out a Joyous Dance”: Celebrating the Art of Bernard Maisner on the MOCRA Voices Vimeo channel
Exhibition | |
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2018-10-07 to 2018-10-14 |
Walking in Hope: A Weeklong Celebration of the Canonization of Archbishop Oscar Romero |
2017-04-20 |
“The Hand Acts Out a Joyous Dance”: Celebrating the Art of Bernard Maisner |
2016-09-25 |
Erika Diettes: “Stories Told from the Threshold” |
2015-12-06 |
So That You Know Each Other: Intercultural Reflections on Art, Beauty, and Islam |
2014-11-15 |
John Handley: “The Religious Art of Pablo Picasso” |
2018-09-28 to 2018-09-29 |
Fleur-de-Lis Floral Art Walk |
2014-02-23 |
“The Economy of Gift” in Socially Engaged Art Practices: A Public Deliberation |
2013-10-02 |
Art21: The Spiritual Light screening at CAM |
2013-03-02 |
Rituals and Spirituality in the Performative Photographic Work of Maria Magdalena Campos-Pons |
2012-11-11 |
Breaking Boundaries: A Conversation about the Art of Patrick Graham |
2012-05-20 |
Stephen P. Durchslag: “The Jewish Experience and the Haggadah” |
2012-03-27 |
2012 Loyola Chair Lecture: “The Image of the Wounded Body of Christ and the Modern Social Consciousness” |
2011-10-06 |
2011 Loyola Chair Lecture: “The Pursuit of the Spirit: The Renewed Interest in the Spiritual and Religious Dimensions in Contemporary Art” |
2011-05-01 |
Terrence Dempsey, S.J.: “Georges Rouault and the Art of Sacred Engagement” |
2010-11-15 |
Terrence Demspey, S.J.: “Creating a Religious Environment through Contemporary Art and Architecture” |
2010-03-28 |
Terrence Dempsey, S.J.: “The Wounded Body of Christ and the Modern Social Conscience” |
2009-12-01 |
Day With(out) Art |
2009-11-15 |
Michael Byron: “Cosmic Tears: Word and Image” |
2009-03-29 |
Art and the Religious Imagination |
2008-04-15 |
Wu Hung: “What Is Contemporary Chinese Art?” |
2007-10-07 |
Celluloid Bible Classics: The Ten Commandments |
2007-11-04 |
Celluloid Bible Classics: Ben-Hur |
2007-09-16 |
Michael Morris, O.P.: “Moving Pictures: The Bible and Beyond” |
2007-03-30 |
Peter Frank: “An Oskar Fischinger Tribute” |
2006-12-01 |
Day With(out) Art |
2005-12-04 |
Robert Rosenblum: “DoDo Jin Ming: An Art Historian's View” |
2003-09-07 |
To Make Extraordinary: The Role of Sacred Objects in Life and Worship |
2002-05-04 |
The Tuskegee Syphilis Experiment: A University Response |
2002-04-30 |
Fred D. Gray: The Tuskegee Syphilis Experiment: A Study That Should Never Have Occurred |
2002-01-31 |
Cloudlanders |
2002-01-26 |
Thomas Sokolowski: “The Last Temptation: Andy Warhols Art as Belief” |
2000-11-30 |
Day With(out) Art |
2001-04-06 |
Bare Naked Statues in concert |
1999-04-15 |
Two Lectures: Ellen Dissanayake and Jack Renard |
1999-03-27 |
Bernard Maisner: “The Art of the Illuminator” |
1998-03-22 |
Renaissance and Modern |
1997-11-15 |
The Role of the Computer in Contemporary Art |
1997-07-24 |
Jennifer Biddle: Body, Country, Canvas: Meaning and Identity in Central Desert Aboriginal Women’s Art |
1997-06-07 |
Creativity as Ancestral Mind: Living with the Ancestors |
1997-02-27 |
The Artist and the Theologian Dialogue: The Body of Christ as Veiling and Unveiling the Invisible God |
1996-12-01 |
Day Without Art |
1996-05-19 |
The Artist as Poet: Readings by Edward Boccia |
1995-05-20 |
Ian Friend: “The Edge of Belief” |
1995-05-04 |
Peter Selz: “Degenerate Art” |
1995-02-05 |
Lynn Hague in recital |
1994-11-13 |
Terrence Dempsey, S.J.: “The Spiritual in Art in the Time of AIDS” |
1994-12-01 |
Day Without Art |
1994-11-05 |
Thomas Sokolowski: “The Changing Face of AIDS” |
1994-11-01 |
The Amici String Quartet in recital |
1994-10-15 |
Consecrations: The Spiritual in Art in the TIme of AIDS dance program and opening reception |
1993-10-29 |
I Remember Alvin |
1993-11-05 |
An Evening with Katherine Dunham |
1992-11-07 |
The Artist and Sacred Space |
2019-04-14 |
A Conversation with Gary Logan |
2019-11-10 |
Pursuing the Spirit in Contemporary Art: A Celebration of Terrence Dempsey, S.J. |
2021-10-26 to 2021-10-26 |
Religion and Complex Social Issues Series: Panel on Immigration, Justice, and Religion |
2021-11-03 to 2021-11-03 |
Sobrevida: A Conversation with Prof. Daisy Vargas |
2021-11-05 to 2021-11-05 |
Meet the Artist: Tom Kiefer |
2021-11-06 to 2021-11-06 |
Conversations with Photographer Tom Kiefer |
2022-04-07 to 2022-04-07 |
Tom Lucas, S.J.: Art in the Jesuit Tradition |
2022-09-29 |
Artist, Poet, Curator: A Conversation with Lesley Dill, Tom Sleigh and Rene Paul Barilleaux |
2022-11-19 |
What Is Viral? What Is Value? — Open Mic |
2024-04-14 |
René Paul Barilleaux: Crafting a Curatorial Practice |