In any age, Nathan B. Young Jr. would be considered extraordinary. And Saint Louis
University is helping to bring Young’s story to life for new generations of students
and scholars by preserving the impressive archive of books, papers and memorabilia
compiled by St. Louis’s first African-American municipal judge.
“He was genuinely a Renaissance man,” John Waide, SLU archivist emeritus, said. Waide
knew the judge well, forming a bond that eventually led Young to donate his most cherished
items – paintings, manuscripts and family photos – to the University. “He was a lawyer
by training but he was also a historian, a folk artist, very musically inclined. He
was also interested in St. Louis history and the African-American experience around
Preserving archives like Young’s, and making them accessible to others is critical,
Olubukola Gbadegesin, Ph.D., associate professor of African American Studies and art history, explained.
“Judge Young was a major advocate for educational equality, economic development and
public service in black communities across the nation throughout his life,” Gbadegesin
said. “His collection brings that experience into the archives of the campus. Judge
Young’s works are now part of SLU’s legacy and as an institution of higher learning,
it is our duty to honor this charge, preserve and engage with this archive.”
A St. Louis "Polymath"
Born in Tuskegee, Alabama in 1894, Young grew up next door to Booker T. Washington.
His father, Nathan B. Young Sr. taught at Washington’s famous Tuskegee Institute and
later went on to lead both Florida A&M College and Lincoln University in Jefferson
City, Missouri. His son went on to earn his bachelor’s degree at Florida A&M and to
attend Yale University’s School of Law where he was taught by former U.S. president
William Howard Taft. The junior Young graduated from Yale in 1918 with his law degree.
Young began practicing law in Birmingham, Alabama, and became active in the National
Association for the Advancement of Colored People (NAACP). After working for the NAACP
as an organizer, he received threats from local white supremacists.
John Waide, SLU archivist emeritus, pulls out a box containing the archive of Judge
Nathan B. Young, Jr. the first African-American municipal judge in St. Louis history.
Young, who also co-founded the St. Louis American, was also a prolific amateur historian
and folk artist. He gifted his archive to SLU in the late 1990s. Photo by Amelia Flood
Following his 1924 marriage to his wife, Mamie, the couple moved to St. Louis, where
they raised their three children. Four years after making the Mound City his home,
Young co-founded the St. Louis American, the city’s weekly African-American newspaper.
He served as its publisher and an editorial writer for over 40 years.
In addition to his newspaper work, Young co-founded the Mound City Bar Association
and served as an assistant city counselor for the City of St. Louis before donning
a judge’s robes. He went on to receive honorary doctorates from SLU, Lincoln University
and Harris-Stowe State University.
Following his 1972 retirement, Young wrote, painted and lectured. St. Louis history
and folk culture combined with world issues in his artwork and writings. While self-taught,
Young completed over 500 paintings and exhibited them locally and nationally.
Bonding with Billikens
Without a chance meeting, many of the artifacts that tell Young’s remarkable story
might have been lost. By the 1980s, Young had spoken to his grandson’s SLU law class
and had received his honorary degree from SLU in 1986. Although familiar with SLU,
Young had not considered donating his archive to the University at that time, Waide
explained. According to Waide, the judge discussed donating his collection to other
institutions locally but those talks had ended.
Meanwhile, a visiting Harvard University graduate student, Nikola Baumgarten, who
was doing research in SLU’s archives, met the judge during one of her trips to St.
Louis. She went on to ask Waide, then the University’s archivist, if he would meet
the judge. A tour was quickly scheduled.
SLU archivist emeritus John Waide worked with the judge to transfer his extensive
archive of paintings, manuscripts and memorabilia to SLU before the judge's death
in 1997. The judge's paintings, like this reimagining of Eugene Delacroix's Liberty Leading the People focused on Black history and the African-American experience. Photo by Amelia Flood
“I’m almost positive that he decided that day that this was the place for him, where
he felt comfortable,” Waide recalled. “He just had this good feeling coming down here.”
The tour impressed Young, who invited Waide and assistant archivist Randy McGuire
to his home in North St. Louis. As the judge gave pieces of his archive to SLU, he
formed bonds with the SLU archivists. Waide and McGuire would eventually help the
judge by running errands, pitching in to clean up after his roof leaked and eventually
finding a roofer to repair the damage. In addition to the practical errands, McGuire
and Waide spent hours talking with Young and listening to his stories about his life,
career and St. Louis history.
“Randy and I developed a very, very close relationship with him,” Waide said, noting
that the judge never gave the archivists more than a box or two at a time as he transferred
his archive. The process became part the growing bond among the men. Eventually Young’s
entire archive, from full histories, family photographs, his paintings and even the
case he stored his art supplies in, made their way into SLU’s archives at the Pius
XII Memorial Archive. “He wanted to continue the relationship.”
Following the judge’s death, Waide received a note from Young’s daughter thanking
him for helping to make her father’s last years more fulfilling. The archivist has
kept the note more than 20 years.
A Legacy Lives On
Through his archive, the judge’s work is now available for a new generation to explore.
“As a scholar and teacher, it’s very rare to have such close access to work that is
directly related to my area of expertise,” Gbadegesin said. “I have had amazing and
productive opportunities to use Judge Young’s collection in my teaching. With this
archive, students can see how important the visual arts were to such a remarkably
successful professional like Judge Young. In spite of the fact that he was untrained,
he still took it upon himself to use his skills, as they were, to capture important,
racially-charged moments that he experienced. In looking at his paintings, I hope
that students see that they should not be intimidated by the arts or by the challenges
of our present day.”
“Judge Young believed in the ‘transformational power of education,’ and by preserving
and teaching with his collection, we will be honoring that legacy and SLU’s own Jesuit
mission,” Gbadegesin noted.
With the opening of the Missouri History Museum’s #1 in Civil Rights, The African American Freedom Struggle in St. Louis in March 2017, Young’s legacy is being revisited by scholars and St. Louisians. For
Waide, the exhibit also offered another chance to hear from the man he came to know
so well, when he stopped by the museum and listened a recording of Young housed in
Young’s archive is managed by the University Archives and Digital Services Unit of
the Pius XII Memorial Library. Requests to view or use the collection can be made
to SLU's Archives.
For questions or more information, contact Drew Kupsky, interim University archivist, librarian and associate professor, or Deborah Cribbs, senior library associate.
The Missouri History Museum exhibit runs through Sunday, April 15.
Founded in 1818, Saint Louis University is one of the nation’s oldest and most prestigious
Catholic institutions. Rooted in Jesuit values and its pioneering history as the first
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community of scholars is SLU’s service-focused mission, which challenges and prepares
students to make the world a better, more just place. For more information, visit
Story by Amelia Flood, University Marketing and Communications. Archival images courtesy
of SLU's Archives and Special Collections. Other photos by Amelia Flood, University
Marketing and Communications.